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About Me.
Hailing from Philadelphia, Pennsylvania, Mary Burke Barber, “reveals [her] powerfully rich voice of regal warmth and strength” (critic Patrick D. McCoy). She has performed internationally, having made her debut with the Singapore Lyric Opera Orchestra in 2015.
For the 2024/2025 season, Mary joins Florida Grand Opera as a Studio Artist. She will perform the roles of Die Zweite Dame in W. A. Mozart’s Die Zauberflöte (The Magic Flute), Giannetta in Gaetano Donizetti’s L’Elisir D’Amore (The Elixir of Love), and Mercédès in Georges Bizet’s Carmen. Early January 2025, Mary performed as a finalist in the Opera Tampa D'Angelo Young Artist Competition. At the start of the 2024 season, she returned to Sarasota Opera as a Studio Artist, covering the roles of Micaela in Georges Bizet’s Carmen, and Vespina in Joseph Haydn’s L’infedeltà Delusa (Deceit Outwitted). Mary additionally competed as a semi-finalist in the Annapolis Opera Vocal Competition.
The Winter of 2023, Mary joined Sarasota Opera as an Apprentice Artist, singing in the chorus of Giacomo Puccini’s Madama Butterfly, W. A. Mozart’s Don Giovanni, Giuseppe Verdi’s Ernani, and Jules Massenet’s Thérèse. She was awarded the Sarasota Opera Guild Ann J. O’Donnell Award for Outstanding Apprentice Artist. Additionally in the 2023 season, Mary competed as a semi-finalist in the Annapolis Opera Vocal Competition.
The Fall of 2022, she joined the Westminster Opera Theater at Rider University as a guest artist to perform the role of Barigoule in a production of Pauline Viardot’s Cendrillon (Cinderella). The Summer of 2022 brought Mary to Vienna, Austria to participate in the Vienna Summer Music Festival. There, she performed the role of Zerlina in W. A. Mozart’s Don Giovanni, and covered the role of Cherubino in W. A. Mozart’s Le Nozze Di Figaro (The Marriage of Figaro). Additionally in 2022, Mary received second place in the National Association of Teachers of Singing Eastern Region Student Auditions (Advanced Level) and a Finalist in the MIOpera Competition.
Mary began her musical studies at the Peabody Institute of Music in Baltimore, Maryland under the care of Phyllis Bryn-Julson. During her undergraduate studies, she completed a joint degree with the Yong Siew Toh Conservatory of Music at the National University of Singapore, under the direction of Alan Bennett. She completed her master's degree at Peabody under the tutelage of Denyce Graves-Montgomery and Margaret Baroody in the Spring of 2018.
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Die Zweite Dame
Florida Grand Opera's production of Die Zauberflöte
"The Three Ladies sung by Avery Boettcher, Mary Burke Barber, and Monique Galvão fueled the opera trope with a Valkyrie-esque pomp. Never once did they stray from excellence. Their alignment vocally appeared natural and effortless. The individuality the singers brought to their respective roles made each one shine, and left plenty of room for the Ladies to play off of one another’s energy. Altogether the trio gave a charismatic performance." - Afton Markay for OperaWire
"Adorned in gold and silver, the Queen's Three Ladies were attractively sung by Avery Boettcher, Mary Burke Barber and Monique Galvão, their teamwork and interaction with Garcia and DeSocio well-coordinated." - Lawrence Budman for the South Florida Classical Review
"Excellent ensemble work - vocally and histrionically was provided by the Three Ladies (Avery Boettcher, Mary Burke Barber, Monique Galvao) and the Two Priests (James A. Mancuso, Andrew Payne)." - Robert Croan for the Palm Beach Arts Paper


Giannetta
Florida Grand Opera's production of L'elisir d'amore
"Studio artist Mary Burke Barber filled out the cast as Adina’s friend Giannetta, soloing sweetly above the ensemble in the opera’s two choral episodes." - Robert Croan for the Palm Beach Arts Paper
Mercédès
Florida Grand Opera's production of Carmen
"Florida Grand Opera's Studio Artists Sydney Dardis and Mary Burke Barber in the roles of Frasquita and Mercédès, respectively, were beautifully matched not only in tone colors, but in confidence and ease in their role. Ginger Costa-Jackson's warmth mixed with Dardis' brightness and Barber's vocal agility in "Mêlons! Coupons!" emphasized the breadth of soprano voices. Each repetition of "parlez, mes belles," was jaunty and full of lilt." - Afton Markay for OperaWire
"Most enjoyable was the quintet, "Nous avons en tête une affaire." Bass Andrew Payne as Il Dancaïro and tenor James Mancuso as Le Remendado, also Studio Artists, joined the leading ladies. With an extra speedy tempo, the onstage ensemble and musicians in the pit performed with precision leading to a positively spectacular scene." - Afton Markay for OperaWire
"The supporting roles were all well sung. Carmen’s colleagues Frasquita and Mercedes were voiced with vibrance by Sydney Dardis and Mary Burke Barber who brought lively, animated characterizations." - Lawrence Budmen for the South Florida Classical Review
"Supporting roles were well-realized by FGO Studio Artists: Sydney Dardis and Mary Burke Barber as Carmen's sidekicks Frasquita and Mercédès, Andrew Payne and James A. Mancuso as the smugglers Dancaïro and Remendado. Their intricate quintet (with Carmen) was a highlight." - Robert Croan for the Palm Beach Arts Paper
